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Loud & Proud in Public
How Filmmakers and Technologists Create Fantastic Screens, Public Space, 3D and Installation Films
Buildings covered with moving images, screens at concerts, national parks with projection built into the floor‚ viewers/visitors demand compelling and quality moving images wherever they go. To make this happen with integrity in a wide variety of settings, the latest and most innovative technologies need to go hand in hand with high quality creative. Hear the industry's leading filmmakers and technologists discuss 3D, HD, installation, projection and production pathways for a fascinating and diverse number of films.
Moderator: Bruce Carse
Panelists: Tony Mitchell, Director/Producer and David Vassar, Producer/Director/Writer, Back Country Pictures
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Part 1
Runtime:
09:33
- Panel & moderator introduction by Kristin Petrovich
- Moderator Bruce Carse, Hollywood Q&A, introduces the panelists
- What exactly do you do? - David Vasser
- Purpose of destination films - David Vassar
- Scope and variety of your projects - Tony Mitchell
- What are you trying to create for an audience member with your project? - Tony Mitchell
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Part 2
Runtime:
08:42
- Benefit of HD technology for high production values of low budget projects - David Vassar
- Yosemite film & PSAs with Harrison Ford - David Vassar
- The process of developing his projects - Tony Mitchell
- How do you finance your work?
- Ralph Appelbaum & BRC's influence on the industry - Tony Mitchell
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Part 3 -
Runtime:
08:03
- How has the evolution of technology changed what you are able to accomplish for clients?
- Developing the project for the Texas Rangers - Tony Mitchell
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Part 4 -
Runtime: 09:05
- Creating the Abraham Lincoln Presidential Library & Museum - Tony Mitchell
- Building the video rivers for Grand Teton National Park - David Vassar
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Part 5 -
Runtime:
07:58
- Aspect ratios & format decisions of the video river - David Vassar
- Why shoot in film & do the 3K transfer when other combinations give you a similar effect? - David Vassar, Tony Mitchell
- How is the footage played back off the servers? - David Vassar
- Does the screen ever get to a size where the compression becomes an issue? - Tony Mitchell
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Part 6 -
Runtime:
11:49
- How do you navigate the "architectural bureaucracy"?
- Do you shoot at a high frame rate to keep the film look fluid? - David Vassar
- In a theatrical presentation, are you using multichannel sound? - Tony Mitchell, David Vassar
- Creating Spirit of Yosemite & screening
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