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The Art and Science of Hybrid Filmmaking

Cutting-edge cinematographers discuss their experiences, share insights and answer questions about the art and evolving science of hybrid filmmaking. It began with music videos, commercials and television programs following in the wake of the invention of modern telecines and continues today with the rapid evolution of digital intermediate technology as a viable option for the postproduction of films produced for cinema screens. Moderated by: Bob Fisher and George Spiro Dibie, ASC - Co-Moderator. Panelists: Dion Beebe, ASC; Richard Crudo, ASC; Allen Daviau, ASC; Michael Goi, ASC; Lou Levinson, Senior Colorist at Post Logic & Chair of the ASC DI Technology Committee; Daryn Okada, ASC; Kees Van Oostrum, ASC; Daniel Pearl, ASC and Vilmos Zsigmond, ASC.

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Part l
  • The Art of Hybrid Filmmaking Panel
  • George Spiro Dibie, ASC
  • Richard Crudo, ASC President
  • George's cartoon
  • Bob Fisher
  • Introductions
  • Oscar man is here
  • Back to the introductions

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Part ll
  • Daniel Pearl, ASC
  • Early days of telecine
  • First telecine encounter
  • Recent projects
  • Captivity, Pathfinder

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Part lll
  • Dion Beebe, ASC, 2006 Oscar Winner, "Memoirs of a Geshia".
  • Digital Intermediate on Memoirs of a Geisha
  • Dailies on Memoirs
  • Q&A on Memoirs

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Part lV
  • Allen Daviau, ASC
  • Van Helsing Digital Intermediate
  • Why they still make film
  • A plethora of video formats

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Part V
  • Lou Levinson, Senior Colorist at Post Logic & Chair of the ASC DI Technology Committee
  • Retiming Apocalypse Now with Vittorio Storaro
  • State of the evolution of Hybrid Filmmaking
  • Is film the standard? & the Digital Cinema Initiative.

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Part Vl
  • Richard Crudo, ASC President
  • Controlling image on the digital side
  • Digital Dailies
  • Digital printer light - electronic Hazeltine

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Part Vll
  • Vilmos Zsigmond, ASC
  • The Deer Hunter - The ultimate color control is in the heart and mind of artists.
  • First Digital Intermediate experience
  • Primitive HD

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Part Vlll
  • Bob Fisher: John Seale Poseidon to be released on IMAX
  • IMAX wants 6K scan
  • How close are we to 6K or 8K?
  • Stem - Digital Cinema Initiative

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Part lX
  • Daryn Okada, ASC
  • Just Like Heaven starring Reese Witherspoon
  • HD & Film Dailies
  • How to fix High Definition dailies
  • Profile a Spirit telecine
  • The Experiment - Spirit to Thomson LUTher Box to HDCAM
  • Reference What Love Is Panel
  • Q&A

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Part X
  • Kees Van Oostrum, ASC
  • First Digital Intermediate experience
  • What images are originated on 65mm - Quality in DI & Color Space
  • Project for Gettysburg Visitor Center
  • The K's
  • Technology is moving so fast and is always changing - What you originate on stays
  • Super 35 mm
  • Daniel Pearl, ASC

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Part Xl
  • Q&A
  • Are new archival formats being investigated?
  • Would digital printer lights encompass monitor calibration?
  • How do 4:4:4 color coming into play as an High Definition input?
  • Could you talk more about the acquistion test for the Digital Cinema Initiative?
  • Can you run a single shot through Digital Intermediate?
  • Bob Fisher: The African Queen
  • For Daryn Okada - Have you written anything on the digital printer light experiment?
  • Actors complain that High Definition kills their look. Is this true?
  • For Daryn Okada - What medium were you projecting your HD dailies from?
  • With the price of Digital Intermediates coming down, will traditional optical timing become unavailable?
  • Bob Fisher - Closing
  • Post panel mingling

View the Panels Archive.

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