Part 1
Runtime: 9:30

• Kristin Petrovich introduces moderator Mark Centkowski
• Mark Centkowski introduces panel and panelists
• Elhanan Matos screens samples of his work

Part 2
Runtime: 5:53

• Lighting for slow motion - Elhanan Matos
• Differences & problems encountered when shooting digital high speed
• What's the ratio of capture time when shooting at high speed?

Part 3 -
Runtime: 7:32

• Jim Matlosz explains his experiences with high speed
• Jim screens samples of his work
• Recent projects including art show "Slow Dancing" & Fox Sports promo

Part 4 -
Runtime: 8:39

• Shooting approaches & typical projects - Jeff Silverman, Inertia Unlimited
• Use of high speed cameras in sporting events
• Jeff screens some work samples
• What types of slow-motion equipment are available? - Jeff Silverman

Part 5 -
Runtime: 9:06

• High speed HD cameras & importance of research - Jim Matlosz
• Preparing to shoot slow-motion - Elhanan Matos
• Cost savings of high speed HD - Elhanan Matos
• Downside to using high speed HD - Jim Malosz
• Advice for choosing your camera package - Jim Matlosz
• CineSpeed Cam compared to Phantom camera - Elhanan Matos
• Increasing costs and low profitability of high speed - Jeff Silverman

Part 6 -
Runtime: 9:27

• Comparing HD cameras for applications - Jim Matlosz
• Shooting explosions, fire, and other difficult subjects - Jim Matlosz
• Cameras for military, industrial, & scientific applications - Mark Centowski
• Are HD cameras capable of ramping? - Jim Matlosz
• Politics between camera and VFX on Budweiser piece- Jim Matlosz
• How do you preserve dynamic range & detail in high speed HD? - Elhanan Matos, Jim Matlosz

Part 7 -
Runtime: 4:26

• Difficulties of shooting high speed - Jim Matlosz
• Shooting tabletop - Elhanan Matos, Jim Matlosz
• Lighting for sports in high speed - Jeff Silverman
• Panel wrap-up